Branding, packaging, environmental, and a suite of menus for this Long Island startup, now with multiple locations reaching down the Eastern Seaboard

Pocket jogging/walking map for Mandarin Oriental’s Washington, DC, perch in the SW quadrant. Accordion fold and metallic ink used in homage to the traditional eastern high art of folding screens.

Annual reports, editorial, promotional, and logos, both consumer- and corporate-oriented for the previously named League of American Theatres and Producers, which represents the industry of Broadway shows in New York City and on tour as well as the Tony Awards.

Branding and environmental for Manhattan's premier studio for film and video, photography, art, image makers, and designers – fashion, beauty, editorial, TV, web, events, and media. Housed in a landmark building (originally a Nabisco factory) in the Meatpacking District with affiliated outposts in Red Hook, Brooklyn, and amped-up mobile facilities for on location.

Branding, packaging, environmental, collateral, puns intended

Promotions for the longest-walking San Francisco tour organization

Design of special issues, sections, and projects

Commemorative journals

Branding, catalogs, advertising for Ippolita’s artisanal and luxury jewelry lines

Branding, marketing, website design for the pioneering tour company that focuses on in-depth tours of DC.

Campaigns for the immigration advocacy organization that’s been around since the 19th C. While collaborating on their “Immigration Matters” series, pitched “Welcome the Stranger” as a more engaging title, which become the umbrella tagline for the organization.

Fundraising events, catalogs, environmental, and collateral

Posters, ads, and some ID

Identity and packaging for gluten-free and paleo products

Somebody photobombed the Med Fresh set.

Typographic consultation and website design for letterpress and book artist Maureen Cummins and associates

Posters and other marketing materials for classical Shakespearean touring company

Design direction for the venerable classical music magazine. The Klinghoffer article predates 9/11–probably would have offered a different pitch in collaboration with the editors after the turn of the century.