Typographic consultation and design for book artist Maureen Cummins and associates.

Branding, packaging, environmental, collateral. Puns intended.

Branding, marketing, image-forward story decks for webinars, digital interface, social and web design for the pioneering DC tour company that focuses on in-depth tours.

Marketing, advertising, and branding for Ippolita’s artisanal and luxury jewelry lines.

Streetcar ads, marketing, and promotion for the longest walking San Francisco tour organization.

Branding and environmental for Manhattan's premier studio for film and video, photography, art, image makers, and designers – fashion, beauty, editorial, TV, web, events, and media. Housed in a landmark building (originally a Nabisco factory) in the Meatpacking District with affiliated outposts in Red Hook, Brooklyn, and amped-up mobile facilities for on location.

Annual reports, editorial, promotional, and logos, both consumer- and corporate-oriented for the previously named League of American Theatres and Producers, which represents the industry of Broadway shows in New York City and on tour as well as the Tony Awards.

Pocket jogging/walking map for Mandarin Oriental’s Washington, DC perch in the SW quadrant. Accordion fold and metallic ink used in homage to the high art of folding screens.

Branding, packaging, environmental, and a suite of menus for this Long Island startup as it scaled to multiple locations.

Design of special issues, sections, and projects.

Campaigns for the immigration advocacy organization that’s been around since the 19th C. While collaborating on their “Immigration Matters” series in the late aughts, pitched “Welcome the Stranger” to describe their enduring mission.

Design of journals that commemorated milestones in Stephen Sondheim’s mentor-oriented organization.

Fundraising events, catalogs, environmental, and collateral.

Identity and packaging for gluten-free and paleo products.

Posters, ads, and branding.

Somebody photobombed the Med Fresh set.

Posters and other marketing materials for classical Shakespearean touring company.

Design direction for the venerable classical music magazine. The Klinghoffer article predates 9/11–probably would have offered a different pitch in collaboration with the editors after the turn of the century.